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ALIF DHAMMAH

ALIF DHAMMAH

This is a powerful stroke of the letter Alif in black with shades of orange making the background. This is the third of four pieces of artwork where the position of the stroke around the hamzah is going to determine the sound of the letter Alif, in this case the Dhammah is above the hamzah, becoming an ‘oo’ sound.

Poetry is by Ma’an Ebni Awess who is an early Islamic poet and a son of a pre-Islamic poet.


Original name (Arabic): ألف ضمة
Original production date: 1997
Artwork Size: 150cm x 100cm
Materials: Acrylic on paper, mounted on canvas
Location of Original: Private Collector






Also in ARTWORKS IN PRIVATE COLLECTIONS

ALIF SUCOON
ALIF SUCOON

With eight lines of the poem by Muaan Ibn Aws. The verses describe the poet’s stand for honour, rejecting and condemning corruption and social decay.

This is one of a series of four Musical Alifs each with different short vowels, the others being Alif Kesrah, Alif Fethah, and Alif Dhammah, the respective sounds given to the letter by the short vowels are i, a and u, the succoon of the Alif Succoon meaning silence. Thus the artist engages with the expression of the poem, using form, colour, texture, and sound, by using the four vowels of the Alif in its four degrees from low to high.

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TUGHRA
TUGHRA

This vibrant piece contains the verse from the learned philosopher-poet Abul Ala Al Ma’arri, in which he says:

“When I utter the implausible, I can shout it out loud without fear or favour, but when I speak of the truth I have to whisper”

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HARF UL DAL
HARF UL DAL

This piece is about the power of the single stroke technique which Ali Omar Ermes employs as a hallmark of a number of his works.

It explores the vast richness of the Arabic language and the magnitude of the depth of expression in Arabic with the simplest and most direct method or as complicated as you wish.

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