RAMYATON KHATIFAH

This is a piece where I say in it the manifestations of the expression was faster to exist than the elements of execution, so it is a hold up between these two opposing sides, in mono colour full, half and sensitive degrees of impressions.

The poems are from the very rich and well-known reference in Arabic literature – Bahjat Al Majahis by Ibi Abdil Birr Al Qurtobi. The general meaning of the poems is as follows:

“If the status quo under what is supposed to be the judge, the advocate, the patrons of the unjust state of the world today, then it is only bad news for all these perpetrators from the absolute owner, judge, patron, and maker of all.”

Original name (Arabic): رمية خاطفة
Original production date: 2003
Artwork Size: 150cm x 120cm
Materials: Acrylic on paper, mounted on canvas
Location of Original: Sold at auction to Private Collector

ALIF SUCOON

With eight lines of the poem by Muaan Ibn Aws. The verses describe the poet’s stand for honour, rejecting and condemning corruption and social decay.

This is one of a series of four Musical Alifs each with different short vowels, the others being Alif Kesrah, Alif Fethah, and Alif Dhammah, the respective sounds given to the letter by the short vowels are i, a and u, the succoon of the Alif Succoon meaning silence. Thus the artist engages with the expression of the poem, using form, colour, texture, and sound, by using the four vowels of the Alif in its four degrees from low to high.

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TUGHRA

This vibrant piece contains the verse from the learned philosopher-poet Abul Ala Al Ma’arri, in which he says:

“When I utter the implausible, I can shout it out loud without fear or favour, but when I speak of the truth I have to whisper”

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HARF UL DAL

This piece is about the power of the single stroke technique which Ali Omar Ermes employs as a hallmark of a number of his works.

It explores the vast richness of the Arabic language and the magnitude of the depth of expression in Arabic with the simplest and most direct method or as complicated as you wish.

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Clients

A selected number of artworks by Ali Omar Ermes have been acquired by public/private collectors, individuals and corporations. Below are some of his clients that own a piece of his work:

The British Museum

10 Downing Street

Mobil

Merrill Lynch

The Royal Borough of Kensington & Chelsea

The Royal Borough of Kensington and Chelsea

Ashmolean Museum of Art and Archaeology

Freer Sackler

Wereld Museum

Investcorp

LACMA | Los Angeles County Museum of Art

Contemporary Art from the Islamic World

Jordan National Gallery of Fine Arts

Barjeel Art Foundation

Meem Gallery

Written Art Foundation

Arab Heritage Gallery

Rose Issa Projects

Egee Art Consultancy

Saudi Aramco

BP

Jaeger-LeCoultre

Malaysia Airlines

Smithsonian National Museum of African Art

Riyadh King Khalid International Airport

Prince's Trust

Arab Banking Corporation

Maybank

USA Embassy

Japan Bank for International Corporation

Balai Seni Lukis Negara - National Art Gallery Malaysia

Uniteers Outdoor Advertising

United Engineers Malaysia

Beit Al Quran

Centre of Islamic Culture

MUSEUMS & GALLERIES

A number of museums and galleries have exhibited artwork by Ali Omar Ermes from all over the world. Much of his artwork has been displayed in some of the most important museums including Tate Gallery, The State Hermitage Museum and many others: